Ekphrastic poetry by Camille LeFevre
After “The Weight of the Moon,” by Tina Mion, and Dorothea Tanning’s novella “Chasm”
“The Weight of the Moon,” Tina Mion (American), oil on linen, 2020
The Weight of the Moon
-After “The Weight of the Moon,” by Tina Mion, and Dorothea Tanning’s novella “Chasm”
My father asked – me – mere girl on his lap – whether we should leave my mother, his wife. I said, Stay. Knowing nothing of what I would carry. Or its undertow. I was crescent cast too soon into fullness, bent crone-like bearing the weight of the moon, an untold tally of scorn, of cares, cresting in demands, dissolutions, mid- night deaths, my clothes stained with excretions strange as my father in dementia waiting dressed in the dark and – I came undone. The void drew me to a cold northern sea, a retreat for daughters of despair, rushing in one morning, chorusing, You are luminous, their faces sublime. Pay attention to the moon, they sang. It moves the oceans. My father, eyes cloudy as I spooned up food fallen into his lap, sensed this meal was his last. He said, Go. Knowing my bristling to ply poems, desert longings, in query of my burdens. Driving into dusk’s bruised light across hot desert plateau toward vermillion sandstone, crenelated cliffs, enfolding canyons twin hoodoos rose a life in formation a life in retreat the moon a great pearl hovering between them – with memories descending from round words – oh moon home.
Camille LeFevre writes poetry and creative nonfiction. She teaches ekphrastic writing workshops in galleries and arts writing at the Institute of American Indian Arts. Her ekphrastic work has appeared in Unleash Lit, Metphrastic, Poets for Science, and The Ekphrastic Review. In 2023, she was awarded the Scuglik Memorial Residency in ekphrastic writing at Write On, Door County, in Wisconsin. She lives in Northern Arizona, where she writes, hikes, studies Indigenous rock art, and swims in cold-water creeks.